Dialogues Of Azhar Movie

Posted on by Personalities Of Araria

Azhar, based on the life of former Indian cricket captain Mohammad Azharuddin.

These Dialogues Of ‘AZHAR’ Movie Will Force You To Watch The Movie Now!!azhar-official-teaser

RECORD 100 PE HI BANTA HAI..  99 PE KOI TAALI NAHI BAJATA…

1. Azhar (Emraan Hashmi): Main Teen Cheezon Ke Liye Famous Hoon.

  • Ek – Khuda Ko Maanta Hoon.
  • Do – Shaadi Hui Hai Meri.
  • Aur Teen – Match Fix Karne Ka Ilzaam Hai Mujhpar. _Main Azhar

2. Azhar (Emraan Hashmi): Mera Naam Azhar Hai. Mujhpar Apne Mulk Bechne Ka Ilzam Hai.

3. Azhar (Emraan Hashmi): Ek Time Pe India Ka Captain Tha. Matlab India Ka Damaad Tha.

4. Azhar (Emraan Hashmi): Ab Bhi Log Mujhe Dekhte Hain. Nazrae Wahi Hain, Nazariyaa Badal Gaya Hai. 

5. Azhar (Emraan Hashmi): Jinke Paas Dost Kam Hote Hain Na, Woh Ameer Nahin Hote.

6.  Azhar’s Friend (Kunal Roy Kapoor): Sach To Bhagwaan Ne Bhi Aasaani Se Sabit Nahin Kiya, Tum To Phir Bhi Insaan Ho.

7. Azhar’s Nana (Kulbhushan Kharbanda): Tu Doctor Hai Ya Nurse? Jo Kaam Aata Woh Kar.. Zida Dimag Nakko Laga 

8. Azhar’s Nana (Kulbhushan Kharbanda): Mauka Intezaar Nahin Karta.

9.Team Player (Sidhu): Bhai 99 Tests Ho Gaye. Uske Baad 100. Uske Baad Kya Bhai?

     Azhar (Emraan Hashmi): Jab India Ke Liye Khelta Hoon, Dil Nahin Bharta.

10. Naureen (Prachi Desai): Rishte Tutne Se Khatam Nahin Ho Jaate.

11. Azhar (Emraan Hashmi): Meri Zindagi Helmet Mein Guzarti.. Uski Zindagi Bhrkhe Mein…   Kaisa Hota???

12.  Azhar’s Friend (Kunal Roy Kapoor): Aise Mamle Main Tere Vaaste Dua Kr Sakta Hun. Par Namaz Thuje Hi Padhni Padegi..

13. Azhar (Emraan Hashmi): Aur Woh Naya Ladka Sachin.. Sab Usi Ka Naam Le Rahe Hain. Woh Bhi Middle Order Main Khelta Hai.

14. Manoj: Itna Gyaan Mat Baat Ki Khatam Ho Jaye.

15. Kapil: Agar Life Mein Kabhi Akela Ho Na, Mujhe Yaad Karna. Main Tera Saath Doonga.

16. Pakistan Player: Aaj Jumma Hai. Allah Humaare Saath Hai.

    Azhar (Emraan Hashmi): Lagta Hai Aap Bhool Gaye, Bade Bhai, Mere Naam Main Hi Mohammad Hai.

17. M. K. Sharma: Yaad Rakhna, Yeh Azhar Kisi Ka Saga Nahin.

18. M. K. Sharma: Paisa Jab Bolta Hai, Koi Kuch Nahin Bol Paata Hai.

19. Azhar (Emraan Hashmi): Agar Main Sacha Hoon To Mera Khuda Hi Mujhe Bachaega.

20.  Azhar’s Friend (Kunal Roy Kapoor): Wo Meera Bhajan Gaati Thi. Ye Meera Bajati Hai..

21. Azhar’s Friend (Kunal Roy Kapoor): Meera Ji, Paisa, Izzat Aur Pyaar Se Bada Nahin Hota.

22. Azhar (Emraan Hashmi): Cricket Ho Ya Pyaar, Agar Timing Sahi Nahin Toh Kuch Nahin.

23. Sangeeta (Nargis Fakhri): Mujhe Do Tarah Ke Log Pasand Nahin Hai – Cricketer aur Married.

24. Azhar (Emraan Hashmi): Acting Toh Aati Nahin, Sirf Make Up Karti Rehti Hai.

25. Azhar (Emraan Hashmi): Dusroon Ki Buri Nazar Se Apni Aankein Geeli Mat Karo.

26. Azhar (Emraan Hashmi): Upar Wala Bhi Mazze Leta Hai. Jo Chahiye Use Deta Nahin. Aur Jisse Duur Bhagna Chahte Ho Usse Paas Khada Kar Deta Hai.

27. Sangeeta (Nargis Fakhri): I Don’t Like To Talk About My Personal Life.

Stardust Editor: Woh Indian Team Ka Captain Hai Aur Tum Bollywood Ki Itni Badi Heroine. It’s Not Personal Anymore.

28. Sangeeta (Nargis Fakhri): Humare Jaise Pyaar Ko Izzat Kum Hi Milti Hai.

29. Azhar (Emraan Hashmi): Woh Mera Ghar Thodna Nahin Chahti Thi. Aur Main Ghar Lautna Nahin Chahta Tha.

30. Naureen (Prachi Desai): Main Yeh Chahti Hoon Ki Tum Mere Saath Khushi Se Raho, Majboori Main Nahin.

31. Meera (Lara Dutta): Jab Azhar Ko Laga Ki Uske Khelne Ke Din Kam Hai To Usne Paise Lekar Khelna Shuru Kar Diya.

32. Meera (Lara Dutta): Azhar Nein Apni Team Ko, Apne Desh Ko, Apne Hazaaroon Fans Ko Dhoka Diya Hai.

33. Meera (Lara Dutta): Ban Karna Kafi Nahin, Inko Jail Honi Chahiye.

34. Azhar (Emraan Hashmi): Yahaan Ek Ek Minute Kaatna Mushkil Tha Aur Yeh Ribbon Kaatne Ki Baat Kar Raha Hai.

35. M. K. Sharma: Cash Itna Liya Hai Hath Se Gend To Phislegi Hi.

36. Azhar (Emraan Hashmi): India Ki Haar Ki Keemat Kitni Hai?

37. Azhar’s Nana (Kulbhushan Kharbanda): Tere Ko Jawaab Bolke Nahin, Khelke Dena. Tu Muuh Se Bolenga To Kuch Hi Logan Sunenge. Balla Bolenga Toh Saari Duniya Ko Sunna Padega.

38. Azhar (Emraan Hashmi): Sau Sahi Kaam Kardo, Koi Yaad Nahin Karta. Ek Galat Ilzaam Aur Sabne Bhula Diya.

39. Cricket Official: Dedh Sau Players Hain, Gyarah Teams Hain. Sirf Tera Hi Naam Kyun Aaya?

40. Manoj: Logon Ko Pata Chalna Chahiye Ki India Main Cricket Ke Naam Pe Aur Kya Kya Hota Hai.

41. Reporter: Azhar Bhai Azhar Bhai Aap Ne Rishwat Kyun Lee.. Ya Koi Chakkar, Ya Payar Wayar..

     Azhar (Emraan Hashmi): Payar Me Log Jaan Dete Hain Rishwat Nahi Lete…

42. Azhar (Emraan Hashmi): Record 100 Pe Hi Banta Hai..  99 Pe Koi Taali Nahi Bajata…

The Ridiculous “Choice”

Posted on by Personalities Of Araria

Vogue India’s latest short film has reached 3.6 million views on YouTube in just 3 days. The video starring 99 women, titled “My Choice” is narrated by Deepika Padukone and directed by Homi Adajania.1

The short film is Vogue India’s venture in promoting “Feminism” following various women-related issues in the Indian society. While the initiative to create awareness and the mode of promoting the idea is much appreciated and welcome, the content seems to be nothing short of ludicrous.

“My Choice” fails splendidly, falling into pieces that are complete and utter nonsense and have nothing to overlap “Women Empowerment”. It is a sad attempt to endorse feminism and in fact projects a completely preposterous sphere to feminism.

The narration begins with what a woman’s choice is.

My choice: to be a size zero or a size fifteen

Agreed. How a woman views her body is entirely her choice. But, linking weight constraints to trapping the soul is a bit far-fetched.

They don’t have a size for my spirit and never will.

To use cotton and silk to trap my soul is to believe you can halt the expansion of the universe

Or capture sunlight in the palm of your hand

First rule of poetry. Use little over-the-top dramatic vocabulary.

The only fair point in the entire narration is:

Your mind is caged, let it free

This is hard core feministic. It’s the only couple of lines that actually make perfect sense. Narrow-minded people need to loosen up to understand and shape themselves according to the changing dynamics of the society. Of course, it has little to do with the short film and its message towardsgender equality, but still, it makes a fair point.

Here comes the ridiculous content:

My choice: to marry, or not to marry

To have sex before marriage, to have sex outside a marriage, to not have sex

It’s a woman’s choice to have relations before a marriage – the world’s women are growing up way too fast and with westernization creeping into (not just) celebrity lives, it makes an infinitesimally small sense that this point makes: even if it’s every mother’s worst nightmare.

It’s a woman’s choice to have relations outside a marriage? What rubbish? So, a man’s a pathetic cheater if he has an open relationship, but when a woman does it, it’s her choice. I am a woman and this disgusts me beyond anything. How do the rules of marriage differ for the couple in question? And even if it doesn’t and even if the oh-I’m-so-feminist people of Vogue argue that a man can have the same liberty, that’s not a marriage. That’s not even a relationship. What it is, is antipathy at its best.

My choice: to love temporarily or to last forever

Nonsense.

Remember, you are my choice

I am not your privilege

To the men reading this: this is not feminism. This is a ridiculously pathetic attempt at depictingsuperiority of women over men; something that I vehemently oppose. In the name of gender equality, Vogue has attempted a take-down on the men; a comical effort.

My choice, to come home when I want

Don’t be upset if I come home at 4 a.m.

Don’t be fooled if I come home at 6 p.m.

The same applies to women who whine, grumble, object and protest when their husbands come home late. Would that be acceptable?

My choice, to have your baby or not

Are you kidding me? Having a baby or not is most definitely NOT the choice of the woman! It’s a couple’s decision. A man will most certainly have a say in it. How stupid can people get? Either we have male chauvinists treating women like child-bearing machines or the “feminists” who choose to have a baby. Stupidity.

My pleasure may be your pain

My songs, your noise

My order, your anarchy

More stupidity. A husband gets drunk and wrecks havoc at home because; it’s HIS choice, it’s HIS order. And what happens there? He is called names, dragged to police station for harassment. But a woman’s order is her choice? And men have to sit by and watch it? Every man, woman and child have a right to speak for themselves, a right to stand up for themselves: a right that has been widelyutilized by men, while women (on most occasions) have not been forthcoming.

Your sins, my virtues

I am VERY curious to know what these lines actually refer to. ‘Cos if it refers to what I think it does, that’s the joke of the century.

I am the tree, not the forest

I am the snow flake, not the snow fall

You are the snow flake

Oh, goody. More poetry that makes no sense.

Finally, the narration ends with:

I choose to empathize

Or to be indifferent

I choose to be different

I am the universe, infinite in every direction

This is my choice

A woman is many things. A woman can become many things. A woman can inspire many things. It is true. But it is equally true, that a man is capable of all these things.

The narration speaks from a woman’s view. How about we read the entire narration again from a man’s point-of-view? How would feminists react to that? How empowering would that be? Howequal would men and women be?

An empowerment to a man’s choice… how would that be?

When he asks for dowry, it’s his order; your anarchy.

When he is abusive, it’s his pleasure; your pain.

When he asks you to give up your career, it’s his song; your noise.

Interesting choices, aren’t they? When a man makes a wretched choice, it means jail-time and more criticism. Now, a woman makes a wretched choice, we call it “empowerment”?

This dim-wit attempt at popularizing what’s called “Indian Feminsim” needs to stop right now. This is not gender equality. This is not woman empowerment. This is not feminism.

And Deepika Padukone. We feel for you. We were with you during the whole issue with the newspaper daily. At that point, you were our women empowerment symbol. Right now, you tossed it right out the window with a bizarre and incredibly pointless short film.

Phanishwar Nath ‘Renu’

Posted on by Personalities Of Araria
 Phanishwar Nath ‘Renu’
 Image

Phanishwar Nath ‘Renu’ (फणीश्‍वर नाथ रेणु) (March 4, 1921 – April 11, 1977) was one of the most successful and influential writers of modern Hindi literature in the post- Premchand era. He is the author of Maila Anchal, which after Premchand‘s Godaan, is regarded as the most significant Hindi novel.

                                                 Renu is best known for promoting the voice of the contemporary rural India through the genre of ‘Aanchalik Upanyas’ (Regional Story), and is placed amongst the pioneering Hindi writers who brought regional voices into the mainstream Hindi literature.

His short story Maare Gaye Gulfam was adapted into a film Teesri Kasam (The Third Vow), by Basu Bhattacharya (produced by the poet-lyricist Shailendra) in 1966 for which he also wrote the dialogues. Later his short story Panchlight (Petromax) was made into a TV short film.

Biography

                                                                          Renu was born on 4 March 1921, at village Aurahi Hingna near Forbesganj, in Araria district, Bihar, Dhanuk family who are now considered to be a Dalit caste. His primary education was held in Araria and Forbesganj. He did his Matriculation from Biratnagar Adarsh Vidyalaya(school), Biratnagar, Nepal while staying with Koirala Family. After Passing out IA from Banaras Hindu University, Varanasi in 1942 he took part in the Indian Freedom Struggle. Later he participated in the Nepali revolutionary movement in 1950 which resulted in the establishment of democracy in Nepal. He ushered in ‘Anchalik-katha’ (Regional Story) of Hindi writing. He had a very close friendship with Sachchidananda Hirananda Vatsyayana Agyey – his contemporary poet.

Writing style

                    The intimacy in writing brought to the reader with use of local flavor of Hindi in contrast to Khari Boli Hindi was entirely new literary experience. His very first novel which is also considered his masterpiece, Maila Anchal (The Soiled Linen, 1954), was a social novel that depicted the life of rural Bihar and its people, especially the backward and the deprived. He was subsequently awarded one of India’s highest civilian honours, the Padma Sri in 1970. He returned the Padma Sri in protest of the proclamation of Internal Emergency.

Later during Jayaprakash Narayan Andolan, he gave up his award in solidarity. His short story Panchlight (Petromax) is beautiful in its depiction of human behavior. One can find many parallels between his and Premchand‘s writings. Curiously, Katihar railway station figures in many of his writings.

He wrote descriptive prose with rapid character building. He would then go about reflecting on his characters and backgrounds from every angle. Ek Aadim Ratri Ki Mehak which is straight forward story with touchy ending, is one example his unending need for exploring pristine emotions of his characters.

Literary works

Novels

Stories

  • Maare Gaye Gulfam (Teesri Kasam)
  • Lal Pan Ki Begum
  • Panchlight
  • Thes
  • Samvadiya
  • Tabe Ekla Chalo Re
  • Lakshmi
  • Thumri pagal
  • Agnikhor
  • Acche Aadmi
  • Ek Adim Ratri Ki Mehak
  • Ek Shravani duphari

Memoirs

  • Rindjal Dhanjal
  • Van Tulsi ki gandh
  • Shrut Ashrut Purva

Reportage

  • HrinJal- DhanJal
  • Nepali Kranti Katha
  • Van tulsi ki gandh
  • Shruth Asruth purve
  • Pahli kranti katha